By David Seamon
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Additional resources for A Geography of the Lifeworld: Movement, Rest, and Encounter
1). A third person describe her brother’s dinner routine on weekdays: My brother routinizes the things he does at home. For example, he has a dinner routine. He gets home a little after 6:60, puts his briefcase in the dining-room, goes upstairs to change his clothes. Then he makes dinner -- a salad, a bowl of either canned ravioli or spaghetti, a glass of water. He says he doesn’t want to make a choice of menu each day. 2). , bathroom, sewing, cooking routines (in themselves body ballets)—join in a wider pattern directed by body-subject.
This situation of knowing other people -- of knowing who’s there at the time, recognizing faces that you can say hello to -makes the place warmer. 2). In place ballet, individual routines meet regularly in time and space. The regularity is unintentional, arising slowly over time as the result of many repeated “accidental” meetings. People who otherwise might not know each other become acquainted -- even friends. At a minimum, there is recognition. Participants generally appreciate the climate of familiarity that grows and to which they become attached.
2). htm[29/10/2009 19:03:48] New Page 0 always someone there, and that I never have the place to myself,” said another group member who now lived with two people rather than one. 2). Appropriation, as a whole, relates to the resident’s ability to control home-space. Lack of appropriation involves infringement or loss of privacy. In either case, the resident has lost his taken-for-granted powers to control and use his home-space as he sees fit. Disruption of appropriation leads to responses of feeling-subject that may include anger, anxiety or discomfort.
A Geography of the Lifeworld: Movement, Rest, and Encounter by David Seamon