After the Irish Renaissance: A Critical History of the Irish by Robert Hogan PDF

By Robert Hogan

ISBN-10: 0816668817

ISBN-13: 9780816668816

After the Irish Renaissance was once first released in 1967.This account of latest Irish drama presents serious introductions to a few thirty or 40 playwrights who've labored in eire due to the fact 1926, the 12 months Sean O’Casey left eire following a riotous protest opposed to his play The Plough and the celebrities. The date is appeared via many as marking the tip of the Irish Renaissance, the bright literary flowering which all started with the founding of the Irish Literary Theatre in 1898 via W. B. Yeats, George Moore, and Edward Martyn.Although a lot has been written in regards to the writers of the Irish Renaissance and their paintings, many of the performs and playwrights of the trendy Irish theatre are particularly vague outdoors eire. This e-book introduces their paintings to a broader audience.Among the writers mentioned, as well as O’Casey and Yeats, are Lennox Robinson, T. C. Murray, Brinsley MacNamara, George Shiels, Louis D’Alton, Paul Vincent Carroll, Denis Johnston, Mary Manning, Micheál Mae Liammóir, Michael Molloy, Walter Macken, Seamus Byrne, John O’Donovan, Bryan MacMahon, girl Longford, Brendan Behan, Hugh Leonard, James Douglas, John B. Keane, Brian Friel, Tom Coffey, Seamus de Burca, Conor Farrington, G. P. Gallivan, Austin Clarke, Padraie Fallon, Donagh MacDonagh, Joseph Tomelty, and Sam Thompson. the writer additionally discusses the Abbey Theatre’s fresh heritage, the Gate Theatre, Longford Productions, the theatre in Ulster, and the Dublin overseas Theatre competition, and offers an entire bibliography of performs and feedback. The booklet is generously illustrated with photographs.

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Extra info for After the Irish Renaissance: A Critical History of the Irish Drama since The Plough and The Stars

Sample text

The crux of the play is the nature of playwriting, and it makes two points: first, one should write about what he knows; second, art demands selection and arrangement. The first point is made by the contrast between the guests' original entrance and Hugh's imaginary restaging of it. In the beginning, only hints of their real stories appeared; in Hugh's version, the real stories are brought to the surface. The second point, about arrangement, is dramatized by Hugh's selective restaging of the originally higgledy-piggledy entrance.

15 Nevertheless, this apology is too sweeping, for there are many instances of the Abbey producing poor plays and rejecting good ones. "16 And, indeed, the play was not done in Dublin until the 1950*5, and then not by the Abbey. By common consent, one of the most brilliant writers ever staged at the Abbey was George Fitzmaurice, whose The Country Dressmaker of 1907 was frequently performed in the early days. Fitzmaurice the Abbey most definitely failed to encourage, and, as we shall see, some of his most masterly work is still unstaged.

The Karavoes is a traditional story about a destitute peasant family on the verge of starvation. When a rich traveler begs for a night's lodging, the old father is driven by anguish and greed to murder him. The next morning the family learns that the traveler was their long-lost son who had returned to surprise them. Stricken beyond words, the old father and mother take poison. The story certainly has the essentials of tragedy, and Murray brought to it all that fine structuring and purity of language can do.

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After the Irish Renaissance: A Critical History of the Irish Drama since The Plough and The Stars by Robert Hogan

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